Aspects of this topic are discussed in the following places at Britannica.
...Races” (1870–73; Museum of Fine Arts, Boston) and Berthe Morisot’s “The Cradle” (1873; Louvre [see photograph]). Manet himself was absent, hoping for academic success; his “Gare Saint-Lazare” (1873; National Gallery of Art, Washington, D.C.), influenced by the Impressionist palette, was accepted at the Salon. Modeling himself on Pissarro, Cézanne...
We welcome your comments. Any revisions or updates suggested for this article will be reviewed by our editorial staff. Contact us here.
Regular users of Britannica may notice that this comments feature is less robust than in the past. This is only temporary, while we make the transition to a dramatically new and richer site. The functionality of the system will be restored soon.