Aspects of this topic are discussed in the following places at Britannica.
...was some time before Corneille, any more than his rivals, turned exclusively to tragedy. The eclecticism of these years is illustrated by his L’Illusion comique (performed 1636; The Comedy of Illusion), a brilliant exploitation of the interplay between reality and illusion that characterizes Baroque art. The two trends come together in Corneille’s theatre in ...
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