Aspects of this topic are discussed in the following places at Britannica.
...current of bourgeois Anglo-American fiction, as fundamentally reasonable and decent. When wrong is committed, it is usually punished, thus fulfilling Miss Prism’s summation in Oscar Wilde’s play The Importance of Being Earnest (1895), to the effect that in a novel the good characters end up happily and the bad characters unhappily: “that is why it is called fiction.”
...the critic William Archer that Wilde’s plays “must be taken on the very highest plane of modern English drama.” In rapid succession, Wilde’s final plays, An Ideal Husband and The Importance of Being Earnest, were produced early in 1895. In the latter, his greatest achievement, the conventional elements of farce are transformed into satiric epigrams—seemingly...
...The 1890s were, however, the outstanding decade of dramatic innovation. Oscar Wilde crowned his brief career as a playwright with one of the few great high comedies in English, The Importance of Being Earnest (1895). At the same time, the influence of Norwegian playwright Henrik Ibsen was helping to produce a new genre of serious “problem plays,” such as...
...Sullivan were to the London stage. As concerns comedy, the situation in England improved at the end of the century, when Oscar Wilde and George Bernard Shaw turned their talents to it. Wilde’s Importance of Being Earnest (1895) is farce raised to the level of high comic burlesque. Shaw’s choice of the comic form was inevitable, given his determination that the contemporary English...
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